郭沫若《女神》与浪漫主义中国化
On GUO Mo-ruo's Goddess and the Sinicized Romanticism
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摘要: 在百年新诗史上,郭沫若《女神》的浪漫主义特征是很突出的,不过客观地说,《女神》并没有完全反映西方浪漫主义的艺术精髓,它在人文理想、题材选择、情感底蕴等方面都体现着对西方浪漫主义艺术主张的误解与曲解。《女神》艺术表达上的不尽成功,提醒我们,要想在新诗中真正实现浪漫主义中国化,还有很长的路要走Abstract: In the new poetry history of one hundred years, the romanticism of GUO Mo-ruo's Goddess has been quite striking. But objectively speaking, the work has not fully reflected the essence of the Western Romanticism. And it has shown some misunderstanding of the artistic ideas of the Western Romanticism in humanistic ambition, choice of subject matters, emotional connotations. The incomplete success of the work has reminded that there is still a long way to go to achieve the sinicized romanticism