李 斯 斌. “梦游”之古典美学特征再论[J]. 内江师范学院学报, 2013, (9): 72-77.
    引用本文: 李 斯 斌. “梦游”之古典美学特征再论[J]. 内江师范学院学报, 2013, (9): 72-77.
    LI Si-bin. A Re-study of Classical Aesthetic Features of Somnambulism[J]. Journal of Neijiang Normal University, 2013, (9): 72-77.
    Citation: LI Si-bin. A Re-study of Classical Aesthetic Features of Somnambulism[J]. Journal of Neijiang Normal University, 2013, (9): 72-77.

    “梦游”之古典美学特征再论

    A Re-study of Classical Aesthetic Features of Somnambulism

    • 摘要: “梦”在中国传统文化精神中具有二重性。“人生如梦”看似表达了一种世界与我的虚幻所带来的悲观情绪,实则在“梦觉无二”的二谛圆融中洋溢着传统人生美学的《庄子》乐观精神。“梦游人生”是“人生如梦”的内在要求与表达,是“梦游”这一审美体验的人生形式,同时,“梦”作为情结表现出了传统文化性格。

       

      Abstract: In the traditional Chinese spiritual culture, dream has its own dualistic feature. The saying “One’s life is like a dream” seems to express a pessimistic feeling which has been brought by fantasy of the world and oneself. Nevertheless, the optimism is permeated in the unity between both a dream and one’s feeling in aesthetic ZHuangzi. Traveling one’s life like a dream is the internal requirement and expression of “life like a dream”, and is the aesthetic life form of dream travel. Meanwhile, as a kind of complex, dream shows the cultural natures in Chinese tradition.

       

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