王兴国. 书宗南北 画成大千——张大千画款书法简论[J]. 内江师范学院学报, 2013, (3): 20-24.
    引用本文: 王兴国. 书宗南北 画成大千——张大千画款书法简论[J]. 内江师范学院学报, 2013, (3): 20-24.
    WANG Xingguo. Daqian’s Calligraphy Inherited from Various Schools and His Paintings Formed with His Unique Style: A Brief Study of ZHANG Daqian’s Calligraphy and Painting[J]. Journal of Neijiang Normal University, 2013, (3): 20-24.
    Citation: WANG Xingguo. Daqian’s Calligraphy Inherited from Various Schools and His Paintings Formed with His Unique Style: A Brief Study of ZHANG Daqian’s Calligraphy and Painting[J]. Journal of Neijiang Normal University, 2013, (3): 20-24.

    书宗南北 画成大千——张大千画款书法简论

    Daqian’s Calligraphy Inherited from Various Schools and His Paintings Formed with His Unique Style: A Brief Study of ZHANG Daqian’s Calligraphy and Painting

    • 摘要: 张大千作为20世纪中国画大师,其书法艺术也取得很高的成就,达到很高的境界。传世的张大千画作中绝大部分都有十分精彩的题款,这种绘画题款书法也代表了张大千的书法艺术特征,融碑入帖,刚健奇崛、飘逸峻峭、开张恣肆,他的画款书法是围绕其绘画形式风格、创作心境、审美需求而题写的,同时也体现了中国传统书画艺术珠联璧合、相映生辉的艺术魅力。大千的画款书法既独具一格,同时也是成就他的绘画艺术的重要因素。

       

      Abstract: As a master of Chinese painting, ZHANG Da-qian made high achievements in calligraphy. There are wonderful autographs in most of his paintings left. Such autographs represent ZHANG’s artistic features in callgraphy: with fusion of stone inscription, energic, vigorous, delicate and unscrupulous. His autographs are around his painting styles, state of mind in creation and aesthetic demand. Meanwhile, they reflect the combination between traditional Chinese painting and calligraphy, and attraction added by each other. His calligraphy is unique in style and contributes to his success in painting.

       

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