Abstract: In his three collections of novels, FENG Meng-long combined the traditional concepts and time spirit and female images were no longer the disaster sources and tools. When alive, they were real and had their own life stage. As for death, they lost their lives for their dreams hence they had their unique aesthetic features. The common narrative aesthetic features of positive figures are no hesitation to die for justice or a debt of gratitude and brave pursuit for love and self-respect. While the narrative aesthetic significance of the negative figures lies in that the malefactors, carnalists or degenerated deserved their punishment or flogging.