王凡. 由隋炀帝的塑造看电视剧《隋唐演义》的文学改编意识[J]. 内江师范学院学报, 2012, (7): 12-15.
    引用本文: 王凡. 由隋炀帝的塑造看电视剧《隋唐演义》的文学改编意识[J]. 内江师范学院学报, 2012, (7): 12-15.
    WANG Fan. On Literary Consciousness of Adaptation in A Historical Romance of Sui and Tang Dynasties from a Perspective of Figure Shaping of Emperor YANG Guang[J]. Journal of Neijiang Normal University, 2012, (7): 12-15.
    Citation: WANG Fan. On Literary Consciousness of Adaptation in A Historical Romance of Sui and Tang Dynasties from a Perspective of Figure Shaping of Emperor YANG Guang[J]. Journal of Neijiang Normal University, 2012, (7): 12-15.

    由隋炀帝的塑造看电视剧《隋唐演义》的文学改编意识

    On Literary Consciousness of Adaptation in A Historical Romance of Sui and Tang Dynasties from a Perspective of Figure Shaping of Emperor YANG Guang

    • 摘要: 《隋唐演义》与《说唐全传》作为我国古代历史演义小说的重要作品,在1996年被我国电视剧艺术家改编成为电视剧《隋唐演义》。该剧主创者在尊重原著精神的基础上对隋炀帝杨广的形象进行了较其他人物更为深入地改编式塑造,通过史实渗入与情节虚构的双向并举、人性化诉求的有意深化、对比手法的巧妙运用等艺术手法使其形象更为丰满、立体,较好体现出文学改编创作中忠实性原则与创新性思维的有机结合。

       

      Abstract: As important works of ancient Chinese historical novels, A Historical Romance of Sui and Tang Dynasties and A Tale of Tang Dynasty were adapted into the TV play A Historical Romance of Sui and Tang Dynasties by Chinese TV artist in 1996. On the basis of being loyal to the spirit of the original works, the creator of the play shaped the figure of Emperor YANG Guang comparatively deeply and carefully. The artistic methods, as the permeation of both history and fact, fabrication of plots, deliberate deepening of humanistic pursuit, skillful employment of comparative methods, make the figure more vivid and overall, which expresses the perfect combination of faithful principle and innovative thinking in the literary adaptation.

       

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