张昌红. 论中国古典诗歌的主观性阐释——以西方现代阐释学理论为背景[J]. 内江师范学院学报, 2011, (9): 67-70.
    引用本文: 张昌红. 论中国古典诗歌的主观性阐释——以西方现代阐释学理论为背景[J]. 内江师范学院学报, 2011, (9): 67-70.
    ZHANG Changhong. On the Subjective Interpretation of Chinese Classical Poems: A Perspective of Modern Western Hermeneutics[J]. Journal of Neijiang Normal University, 2011, (9): 67-70.
    Citation: ZHANG Changhong. On the Subjective Interpretation of Chinese Classical Poems: A Perspective of Modern Western Hermeneutics[J]. Journal of Neijiang Normal University, 2011, (9): 67-70.

    论中国古典诗歌的主观性阐释——以西方现代阐释学理论为背景

    On the Subjective Interpretation of Chinese Classical Poems: A Perspective of Modern Western Hermeneutics

    • 摘要: 中国古典诗歌的主观性阐释大体分为两种:历史原因造成的主观性阐释和个人原因造成的主观性阐释。前者比较常见,人们也无法克服;后者比较复杂,从公共产权、借杯浇臆、赏奇析疑等三个方面进行了说明,并做简要评价。主观性阐释在客观上起到了充分调动阐释者积极性的作用,但阐释时也容易因忽视作者与文本而造成对诗歌本意的曲解与僭越。

       

      Abstract: The subjective interpretation of Chinese classical poems has two types: the one caused by history and the other caused by individuals. The former is quite universal and it is difficult to overcome, while the latter is more complex. This paper has analyzed the latter from three aspects: public property right, drawing one’s sorrow on wine, and appreciation of grandeurs and resolution to doubts. In addition, it has also given them some evaluation. And the subjective interpretation plays a role in arousing the interpreters’ enthusiasm objectively. But the great pity is that it will easily neglect the author and the text. Thus it will lead to the misunderstanding and arrogation of poems.

       

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