叶自明. 试析张大千“大千体”书法的形成[J]. 内江师范学院学报, 2011, (5): 96-99.
    引用本文: 叶自明. 试析张大千“大千体”书法的形成[J]. 内江师范学院学报, 2011, (5): 96-99.
    YE Zi-ming. An Analysis on the Formation of the Daqian Style of Calligraphy[J]. Journal of Neijiang Normal University, 2011, (5): 96-99.
    Citation: YE Zi-ming. An Analysis on the Formation of the Daqian Style of Calligraphy[J]. Journal of Neijiang Normal University, 2011, (5): 96-99.

    试析张大千“大千体”书法的形成

    An Analysis on the Formation of the Daqian Style of Calligraphy

    • 摘要: 张大千崇尚书法,以书法促进绘画,又以绘画推进书法,在继承中国历代书法传统基础上,追求创新,重点汲取部分碑帖和名家书法特点,融入自己豪放张扬、涉险多变、质朴守真的个性,最终形成了"大千体"。"大千体"是张大千对中国书法领域的重要贡献。

       

      Abstract: ZHANG Da -qian highly valued calligraphy and he promoted his painting with his calligraphy and vice versa. On the basis of inheritance of traditional calligraphy, he pursued innovation and focused on the absorption of the rubbings from stone inscription and some well-known scholars’ writings. And on this basis, he merged his bold and unconstrained, flexible but modest features in his calligraphy, which finally led to his own Daqian Style which has been considered as the important contribution to Chinese Calligraphic field.

       

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