李隽. 别现代视域下影视行业“流量明星“现象的病理症候及诊治理路J. 内江师范学院学报, 2026, 41(1): 70-74. DOI: 10.13603/j.cnki.51-1621/z.2026.01.012
    引用本文: 李隽. 别现代视域下影视行业“流量明星“现象的病理症候及诊治理路J. 内江师范学院学报, 2026, 41(1): 70-74. DOI: 10.13603/j.cnki.51-1621/z.2026.01.012
    LI Jun. A Bie-modernist Analysis: Problems and Solutions to Traffic-driven Celebrities in the Film and Television IndustryJ. Journal of Neijiang Normal University, 2026, 41(1): 70-74. DOI: 10.13603/j.cnki.51-1621/z.2026.01.012
    Citation: LI Jun. A Bie-modernist Analysis: Problems and Solutions to Traffic-driven Celebrities in the Film and Television IndustryJ. Journal of Neijiang Normal University, 2026, 41(1): 70-74. DOI: 10.13603/j.cnki.51-1621/z.2026.01.012

    别现代视域下影视行业“流量明星“现象的病理症候及诊治理路

    A Bie-modernist Analysis: Problems and Solutions to Traffic-driven Celebrities in the Film and Television Industry

    • 摘要: “流量明星”通常指那些在互联网平台具有超高热度但缺乏与其热度相匹配的实力的明星。前现代、现代、后现代三者高度杂糅的别现代社会是"流量明星"现象诞生的重要土壤。"流量明星"现象的真正病灶是潜藏其后的"数据逻辑""资本逻辑"和"情感控制逻辑"引发的"唯流量论""唯增值论"和"饭圈乱象"。推动中国的明星制完成现代性转变,需要从三重逻辑入手,对其进行优化和引导。

       

      Abstract: The traffic-driven celebrity arises from a highly hybrid social landscape, blending pre-modern, modern, and post-modern elements namely, bie-modernuism. This phenomenon is defined by individuals who command a high level of online popularity that is disproportionate to their actual talent. The root causes of this phenomenon lie in the interplay of data logic, capital logic, and emotional manipulation logic. The logics collectively give rise to traffic-centric doctrine, profit-centric ideology, and fan circle misconducts. To facilitate the modernization of China’s celebrity system, it is essential to optimize and guide these three logics through targeted regulatory frameworks.

       

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