李姝霓. 张大千与赵无极绘画中的抽象元素[J]. 内江师范学院学报, 2025, 40(3): 5-9. DOI: 10.13603/j.cnki.51-1621/z.2025.03.002
    引用本文: 李姝霓. 张大千与赵无极绘画中的抽象元素[J]. 内江师范学院学报, 2025, 40(3): 5-9. DOI: 10.13603/j.cnki.51-1621/z.2025.03.002
    LI Shuni. Abstract Elements in Paintings by ZHANG Daqian and ZHAO Wuji Respectively[J]. Journal of Neijiang Normal University, 2025, 40(3): 5-9. DOI: 10.13603/j.cnki.51-1621/z.2025.03.002
    Citation: LI Shuni. Abstract Elements in Paintings by ZHANG Daqian and ZHAO Wuji Respectively[J]. Journal of Neijiang Normal University, 2025, 40(3): 5-9. DOI: 10.13603/j.cnki.51-1621/z.2025.03.002

    张大千与赵无极绘画中的抽象元素

    Abstract Elements in Paintings by ZHANG Daqian and ZHAO Wuji Respectively

    • 摘要: 张大千绘画具有开拓性以及个人特色的泼墨泼彩,而赵无极作品则充满流动交融的色彩与线条。这些让人印象深刻的抽象元素是两位画家绘画表达中极为重要的一部分,也是他们作品中较为直观的相似之处。他们同样都是围绕中国传统文化的核心去展示中西方艺术融合的独特视角,却呈现了相似主导路线下的艺术所具有的不同风貌。以张大千的泼墨泼彩山水画与赵无极成熟时期的抽象画中较为相似的抽象元素作为切入点进行研究,便于人们比较二人作品中所蕴含的中西方艺术。

       

      Abstract: ZHANG Daqian’s paintings are known for his pioneering techniques which are ink-splashing and color-splashing, while ZHAO Wuji (ZAO Wou-Ki)’s works are characterized by colors and lines which are fluid and blending. These abstract elements which strikes the audience of their paintings are crucial to both the two artists’ expressive styles and represent the most apparent similarities in their works. Both artists center their work around traditional Chinese culture, and they showcase unique perspectives on the fusion of Chinese and Western fine arts. They, however, present different artistic styles under similar guiding principles. By examining the similar abstract elements in ZHANG’s ink-splashing landscapes and ZHAO’s mature abstract paintings, this study facilitates a comparison of the Chinese and Western artistic elements in their works.

       

    /

    返回文章
    返回