秦霁月. 从电影《道林·格雷》对小说的改编看其对唯美主义的认识[J]. 内江师范学院学报, 2018, (7): 124-128. DOI: 10.13603/j.cnki.51-1621/z.2018.07.025
    引用本文: 秦霁月. 从电影《道林·格雷》对小说的改编看其对唯美主义的认识[J]. 内江师范学院学报, 2018, (7): 124-128. DOI: 10.13603/j.cnki.51-1621/z.2018.07.025
    QIN Jiyue. On the Aesthetic View of the Movie Dorian Gray from Its Adaptation from a Novel[J]. Journal of Neijiang Normal University, 2018, (7): 124-128. DOI: 10.13603/j.cnki.51-1621/z.2018.07.025
    Citation: QIN Jiyue. On the Aesthetic View of the Movie Dorian Gray from Its Adaptation from a Novel[J]. Journal of Neijiang Normal University, 2018, (7): 124-128. DOI: 10.13603/j.cnki.51-1621/z.2018.07.025

    从电影《道林·格雷》对小说的改编看其对唯美主义的认识

    On the Aesthetic View of the Movie Dorian Gray from Its Adaptation from a Novel

    • 摘要: 改编自王尔德小说《道林·格雷的画像》的电影《道林·格雷》充分展示了崇尚美, 追求感官享乐、瞬间感受, 偏爱拉斐尔前派风格、异国风情的唯美主义特点, 通过具体情节全面阐释了唯美主义观点, 从不同角度解读和表现了小说中所蕴含的对命运的感受、对“被看”的恐惧等等丰富的主题。但同时电影也通过对人物设定和情节安排的改编表达出与王尔德不同的对待唯美主义的态度。

       

      Abstract: The movie Dorian Gray adapted from the Wilde’s novel The Picture of Dorian Gray has fully shown the worship of beauty, pursuit for sense and moment enjoyment, and the aesthetic view of preference to Pre-Raphaelite style and foreign country flavor.The movie has fully explained the aesthetic view through various plots, and interpreted and shown the rich themes from different perspectives, such as the understanding of one’s fate and fear of“being seen”.At the same time, it has also manifested Wilde’s attitude toward the aestheticism through figures’ setting and plots’ arrangement.

       

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