罗兰. 短视频社交APP中的“戏精”现象——以抖音为例[J]. 内江师范学院学报, 2018, (5): 129-132. DOI: 10.13603/j.cnki.51-1621/z.2018.05.024
    引用本文: 罗兰. 短视频社交APP中的“戏精”现象——以抖音为例[J]. 内江师范学院学报, 2018, (5): 129-132. DOI: 10.13603/j.cnki.51-1621/z.2018.05.024
    LUO Lan. On Phenomenon “Drama Queen/King” in the Short Video in Social APP——A Case Study of Tik Tok[J]. Journal of Neijiang Normal University, 2018, (5): 129-132. DOI: 10.13603/j.cnki.51-1621/z.2018.05.024
    Citation: LUO Lan. On Phenomenon “Drama Queen/King” in the Short Video in Social APP——A Case Study of Tik Tok[J]. Journal of Neijiang Normal University, 2018, (5): 129-132. DOI: 10.13603/j.cnki.51-1621/z.2018.05.024

    短视频社交APP中的“戏精”现象——以抖音为例

    On Phenomenon “Drama Queen/King” in the Short Video in Social APP——A Case Study of Tik Tok

    • 摘要: 智能手机的普及和4G时代的到来, 为人们营造了更为娱乐化、新鲜化、多元化的社交场景。短视频社交APP的出现逐渐在社会上刮起了“戏精”风潮, 从年轻人专属到全民互动, 越来越多的人们潜移默化地接受了这一新型展现自我的社交方式。而这种全民“戏精“现象的背后隐含的是当前人们生活方式和心理机制的转变, 从推崇“低调谦逊不表现”到鼓励“敢演会演爱表现”。

       

      Abstract: The popularization of smart cell phones and arrival of 4 Gtimes has created for people social scenes, more entertaining, fresh and diversified.The social APP with short videos has gradually started the storm of“drama queen/king”.From youths specification to all people’s interaction, more and more people have accepted this new social means which can completely reveal one’s own personality.However, the change of people’s life styles and psychology lies behind such phenomenon, namely, from modesty and unwillingness to show off to enough courage to express themselves.

       

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