邓志文. 电视节目中的男权话语———以电视节目主持人性别比和影视剧为例[J]. 内江师范学院学报, 2018, (1): 124-128. DOI: 10.13603/j.cnki.51-1621/z.2018.01.023
    引用本文: 邓志文. 电视节目中的男权话语———以电视节目主持人性别比和影视剧为例[J]. 内江师范学院学报, 2018, (1): 124-128. DOI: 10.13603/j.cnki.51-1621/z.2018.01.023
    DENG Zhiwen. On Patriarchy Discourse in TV Programs ——— A Case Study of Gender Ratio of TV Hosts and Films and TV Plays[J]. Journal of Neijiang Normal University, 2018, (1): 124-128. DOI: 10.13603/j.cnki.51-1621/z.2018.01.023
    Citation: DENG Zhiwen. On Patriarchy Discourse in TV Programs ——— A Case Study of Gender Ratio of TV Hosts and Films and TV Plays[J]. Journal of Neijiang Normal University, 2018, (1): 124-128. DOI: 10.13603/j.cnki.51-1621/z.2018.01.023

    电视节目中的男权话语———以电视节目主持人性别比和影视剧为例

    On Patriarchy Discourse in TV Programs ——— A Case Study of Gender Ratio of TV Hosts and Films and TV Plays

    • 摘要: 作为一种文化过程,电视的意识形态性使其自身成为社会意义的“合法”承载体。 在男权社会体制下,男权话语也理所当然地成为电视的社会意义的一部分,在被自然化和常规化之后,它极具隐蔽性。 虽然男权主义不是赤裸裸地存在于人们的视野之中,但在电视综艺节目和影视剧中,依然存在男权主义的踪迹。具体来说,影视剧在内容、情节、角色、主题、策略等的设置上的尊男抑女,以及节目主持人、栏目嘉宾和评委嘉宾在男女比例上的失衡(男多于女)构成了电视文化中男权主义的外在表现。

       

      Abstract: As a kind of culture, the TV’s ideology makes TV become a legal carrier of social meaning. In patriarchy
      system, the patriarchy discourse, of course, has become a part of the TV’s social meaning. After naturalization and routiniza- tion, it is highly disguised. Though the patriarchy does not exist in people’s horizon nakedly, we can catch some traces of such patriarchy hiding behind the TV culture through analysis of TV entertainment programs and films and TV plays. Specifically, the men’s superiority to women in the setting of content, plot, roles, themes and strategies of films and TV plays, and unbal- ance of gender ratio of TV hosts, honored guests and raters, both are the external expression of patriarchy in TV culture.

       

    /

    返回文章
    返回