薛芸秀. 论谢灵运诗歌的反衬趣味[J]. 内江师范学院学报, 2017, (7): 49-53. DOI: 10.13603/j.cnki.51-1621/z.2017.07.010
    引用本文: 薛芸秀. 论谢灵运诗歌的反衬趣味[J]. 内江师范学院学报, 2017, (7): 49-53. DOI: 10.13603/j.cnki.51-1621/z.2017.07.010
    XUE Yunxiu. On the Contrast Preference of XIE Lingyun’s Poems[J]. Journal of Neijiang Normal University, 2017, (7): 49-53. DOI: 10.13603/j.cnki.51-1621/z.2017.07.010
    Citation: XUE Yunxiu. On the Contrast Preference of XIE Lingyun’s Poems[J]. Journal of Neijiang Normal University, 2017, (7): 49-53. DOI: 10.13603/j.cnki.51-1621/z.2017.07.010

    论谢灵运诗歌的反衬趣味

    On the Contrast Preference of XIE Lingyun’s Poems

    • 摘要: 谢灵运是中国古代山水诗的鼻祖,历来为世人所推重,但人们对其诗歌的评价却颇有争议,或说“自然可爱”,或说“繁富为累”。 其实这种矛盾的诗歌风格在谢灵运诗中十分常见,而且这种矛盾风格的交织使得谢诗产生了一种类似反衬的美学效果,这种反衬不仅体现在诗歌内部,也体现在诗歌与诗人的矛盾情感之间。

       

      Abstract: XIE Lingyun was the beginner of the landscape poems of ancient China and has been valued. However, people’s comments on his poems have been controversial. Some think that his poems are natural and lovely, while others hold that they are full of repetition and redundancy. Nevertheless, such poetic feature is universal in his poems. And interwoven practice between the contradictory styles has brought about a kind of aesthetic effect similar to contrast which is shown not only inside the his poems but in the contradictory feelings between the poet and his poems.

       

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