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    李慧国, 高雄山. 从张大千论笔墨之画语窥其“求真”思想[J]. 内江师范学院学报, 2016, (3): 39-41. DOI: 10.13603/j.cnki.51-1621/z.2016.03.008
    引用本文: 李慧国, 高雄山. 从张大千论笔墨之画语窥其“求真”思想[J]. 内江师范学院学报, 2016, (3): 39-41. DOI: 10.13603/j.cnki.51-1621/z.2016.03.008
    shu
    LI Hui-guo, GAO Xiong-shan. ZHANG Da-qian's Truth-pursuing Thought from a Perspective ofHis Comments on Paintings[J]. Journal of Neijiang Normal University, 2016, (3): 39-41. DOI: 10.13603/j.cnki.51-1621/z.2016.03.008
    Citation: LI Hui-guo, GAO Xiong-shan. ZHANG Da-qian's Truth-pursuing Thought from a Perspective ofHis Comments on Paintings[J]. Journal of Neijiang Normal University, 2016, (3): 39-41. DOI: 10.13603/j.cnki.51-1621/z.2016.03.008
    shu

    从张大千论笔墨之画语窥其“求真”思想

    ZHANG Da-qian's Truth-pursuing Thought from a Perspective ofHis Comments on Paintings

      摘要
    • 摘要: “求真”思想在中国画中的表现在于两个方面,重视被描绘对象的主体精神与创作者的情感表现。张大千终其一生留下了很多反映其艺术思想的绘画语录,在这些画语中有部分是探讨笔墨的,其中透露出张大千很深的“求真”思想。

       

      Abstract: The truth-pursuing thought in Chinese paintings is shown in two aspects: highlighting the individualism of the objects to be described and the painters' feeling expression. ZHANG Da-qian left a lot of recorded utterances which reflected his art thoughts. Some of these utterances were about brush and ink and they reflected ZHANG's deep truth-pursuing thought.

       

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