石 健. 论范稳长篇《碧色寨》的“错位”书写[J]. 内江师范学院学报, 2015, (7): 47-52. DOI: 10.13603/j.cnki.51-1621/z.2015.07.010
    引用本文: 石 健. 论范稳长篇《碧色寨》的“错位”书写[J]. 内江师范学院学报, 2015, (7): 47-52. DOI: 10.13603/j.cnki.51-1621/z.2015.07.010
    SHI Jian. On“Dislocated” Writing in FAN Wen's Bisezhai[J]. Journal of Neijiang Normal University, 2015, (7): 47-52. DOI: 10.13603/j.cnki.51-1621/z.2015.07.010
    Citation: SHI Jian. On“Dislocated” Writing in FAN Wen's Bisezhai[J]. Journal of Neijiang Normal University, 2015, (7): 47-52. DOI: 10.13603/j.cnki.51-1621/z.2015.07.010

    论范稳长篇《碧色寨》的“错位”书写

    On“Dislocated” Writing in FAN Wen's Bisezhai

    • 摘要: 范稳的长篇小说《碧色寨》,呈现出明显的“错位”书写的特点,具体表现在作家的创作意图、人物的悲剧命运、作品的艺术表现手法上。围绕滇越铁路的修建,作品对中西文明的冲突进行了反思,但强烈的果报模式,影响了对主题的深入开掘。毕摩独鲁悲剧性的命运抗争,也是以悖谬方式呈现的。而戏谑化的情欲书写,则体现了独特的现代性反思。

       

      Abstract: FAN Wen's novel Bisezhai is notably characterized by dislocated writing. This is shown in the aspects as the writer's creation purpose, figures' tragic fate and the artistic expressions of the works. Around the construction of Vietnamese-Yunnan Railroad, the work has reflected the contradictions between Chinese and Western civilizations. However, the strong cause-consequence mode has exerted a great influence on the deeper excavation of the subject. The Bimo Dulu tragic style of struggle is also shown in the form of paradox. But the bantering description of personal lust is the reflection of modernity.

       

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