于军民. 张大千与《瘗鹤铭》 ——兼及《石门铭》对“大千体”的影响[J]. 内江师范学院学报, 2012, (5): 24-28.
    引用本文: 于军民. 张大千与《瘗鹤铭》 ——兼及《石门铭》对“大千体”的影响[J]. 内江师范学院学报, 2012, (5): 24-28.
    YU Junmin. ZHANG Da-qian and Epigraphs for a CraneOn the Influence of Inscriptions on the Stone Gateon Da-qian Style Calligraphy[J]. Journal of Neijiang Normal University, 2012, (5): 24-28.
    Citation: YU Junmin. ZHANG Da-qian and Epigraphs for a CraneOn the Influence of Inscriptions on the Stone Gateon Da-qian Style Calligraphy[J]. Journal of Neijiang Normal University, 2012, (5): 24-28.

    张大千与《瘗鹤铭》 ——兼及《石门铭》对“大千体”的影响

    ZHANG Da-qian and Epigraphs for a CraneOn the Influence of Inscriptions on the Stone Gateon Da-qian Style Calligraphy

    • 摘要: 《瘗鹤铭》为南朝著名碑刻。张大千受老师曾熙和李瑞清的影响,同时因个人性格特征与《瘗鹤铭》透露出来的笔墨意趣及思想内涵高度契合,对此碑挚爱终生。张大千正是以《瘗鹤铭》为基础,同时亦受《石门铭》影响,形成了独具特色的“大千体”书法艺术。

       

      Abstract: Epigraphs for a Crane were the famous tomb inscriptions of South Dynasty. And influenced by his teacher ZENG Xi and LI Rui-qing as well as the high agreement between his personality and calligraphic connotation in Epigraphs for a Crane, ZHANG Da-qian loved the epigraphs all his life. It was on the basis of the epigraphs and from the influence of Inscriptions on the Stone Gate that ZHANG had formed his unique style of calligraphic art—Dapqian Style.

       

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