谷文彬, 谢香梅. 论清代小说《狄公案》中狄仁杰清官形象的塑造[J]. 内江师范学院学报, 2023, 38(5): 1-7. DOI: 10.13603/j.cnki.51-1621/z.2023.05.001
    引用本文: 谷文彬, 谢香梅. 论清代小说《狄公案》中狄仁杰清官形象的塑造[J]. 内江师范学院学报, 2023, 38(5): 1-7. DOI: 10.13603/j.cnki.51-1621/z.2023.05.001
    GU Wenbin, XIE Xiangmei. Judge DEE’s Image of an Honest and Upright Official in the Celebrated Case of Judge Dee during the Qing Dynasty[J]. Journal of Neijiang Normal University, 2023, 38(5): 1-7. DOI: 10.13603/j.cnki.51-1621/z.2023.05.001
    Citation: GU Wenbin, XIE Xiangmei. Judge DEE’s Image of an Honest and Upright Official in the Celebrated Case of Judge Dee during the Qing Dynasty[J]. Journal of Neijiang Normal University, 2023, 38(5): 1-7. DOI: 10.13603/j.cnki.51-1621/z.2023.05.001

    论清代小说《狄公案》中狄仁杰清官形象的塑造

    Judge DEE’s Image of an Honest and Upright Official in the Celebrated Case of Judge Dee during the Qing Dynasty

    • 摘要: 狄仁杰形象在明清时期迎来了重大的转变,主要体现在清代小说《狄公案》中,狄仁杰由端正持重的政治家转变为断案如神的清官。小说主要从道德品质、执法态度、司法技巧三个方面完成了对狄仁杰清官形象的塑造。从形塑路径来看,狄仁杰的清官形象主要经历了从历史真实到艺术真实的过程,借由公案小说这一文学舞台,由民间百姓力量推举而成。其背后的深层原因在于百姓呼唤司法公正的清明政治,借狄仁杰故事影射时政,表达回归正统的渴求。这一文化现象的背后既是时人清官崇拜意识的心理反映,也体现着人们对内圣外王的人文想象。

       

      Abstract: A major change took place to the image of Judge DEE (his name is DI Renjie (630-700) in Chinese pin yin) during the Qing (1644-1911) Dynasty. The Image of DEE was shifted from a righteous and prudent politician to an honest and upright official who could precisely settle a lawsuit. The novelists of the dynasfy mainly completed the characterization of DEE as an honest and upright official from three aspects: his moral character, his attitude to law enforcement, and his judicial arts. From the perspective of characterization, DEE’s image of an honest official is reflected by the process of moving from historical reality to artistic one. The image, through the literary stage set by fictions of complex legal cases, is popular with common people. The underlying reason displays common people’s call for a just and fair government. The story of DEE is used to allude to politics in Qing Dynasty, and to express their wish back to orthodoxy. Behind this cultural phenomenon, both the consciousness of the worship of an honest and upright official and humanistic imagination of internal sage and the external emperor are reflected.

       

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