李慧国. 论张大千画语中“理、情、态”的美学内涵及“求真”思想[J]. 内江师范学院学报, 2016, (7): 54-58. DOI: 10.13603/j.cnki.51-1621/z.2016.07.009
    引用本文: 李慧国. 论张大千画语中“理、情、态”的美学内涵及“求真”思想[J]. 内江师范学院学报, 2016, (7): 54-58. DOI: 10.13603/j.cnki.51-1621/z.2016.07.009
    LI Hui-guo. On the Aesthetic Connotation of“Reason, Emotion and State” and “Truth-seeking” Thoughts in ZHANG Da-qian's Painting Inscriptions[J]. Journal of Neijiang Normal University, 2016, (7): 54-58. DOI: 10.13603/j.cnki.51-1621/z.2016.07.009
    Citation: LI Hui-guo. On the Aesthetic Connotation of“Reason, Emotion and State” and “Truth-seeking” Thoughts in ZHANG Da-qian's Painting Inscriptions[J]. Journal of Neijiang Normal University, 2016, (7): 54-58. DOI: 10.13603/j.cnki.51-1621/z.2016.07.009

    论张大千画语中“理、情、态”的美学内涵及“求真”思想

    On the Aesthetic Connotation of“Reason, Emotion and State” and “Truth-seeking” Thoughts in ZHANG Da-qian's Painting Inscriptions

    • 摘要: 张大千画语中存有多处论及“理、情、态”之妙语,折射出丰富的中国传统绘画美学内涵。同时,对物理、物情、物态的注重与追求也深刻地体现了张大千绘画艺术中的“求真”思想。

       

      Abstract: In ZHANG Da-qian's painting inscriptions, we can find many witty remarks concerning “reason, emotion and state”, which reflect the rich aesthetic connotation of traditional Chinese paintings. Meanwhile, ZHANG's pursuit of such aspects is the profound manifestation of the “truth-seeking” thought in his painting art.

       

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