郑铁生. 周瑜形象在《三国演义》叙事结构 中的定位及其文化内涵[J]. 内江师范学院学报, 2016, (7): 1-8. DOI: 10.13603/j.cnki.51-1621/z.2016.07.001
    引用本文: 郑铁生. 周瑜形象在《三国演义》叙事结构 中的定位及其文化内涵[J]. 内江师范学院学报, 2016, (7): 1-8. DOI: 10.13603/j.cnki.51-1621/z.2016.07.001
    ZHENG Tie-sheng. The Place of ZHOU Yu's Image in the Narrative Structure of The Romance of Three Kingdoms and Its Cultural Connotation[J]. Journal of Neijiang Normal University, 2016, (7): 1-8. DOI: 10.13603/j.cnki.51-1621/z.2016.07.001
    Citation: ZHENG Tie-sheng. The Place of ZHOU Yu's Image in the Narrative Structure of The Romance of Three Kingdoms and Its Cultural Connotation[J]. Journal of Neijiang Normal University, 2016, (7): 1-8. DOI: 10.13603/j.cnki.51-1621/z.2016.07.001

    周瑜形象在《三国演义》叙事结构 中的定位及其文化内涵

    The Place of ZHOU Yu's Image in the Narrative Structure of The Romance of Three Kingdoms and Its Cultural Connotation

    • 摘要: 周瑜这个历史人物进入小说家的构思和创作中,被重新塑造后人物形象发生了变异。这种“变异”是艺术创作的需要,“变异”后的周瑜形象相当成功:一是成为中国古典小说名著中的典型人物,二是《三国演义》中的周瑜形象在民俗文化中产生了巨大的影响,三是体现出传统文化中富有深刻人文意蕴的内涵。可以说,没有《三国演义》中的周瑜形象,历史人物周瑜也不会产生如此广泛的深远影响。

       

      Abstract: The historical figure, ZHOU Yu, has entered the designing and creation of novelists, and his image has mutated after it was reshaped. Such mutation is the need for the artistic creation. And the ZHOU Yu's image is quite successful after the mutation. Firstly, ZHOU Yu has become the famous typical figure in the Chinese classical works. Secondly, his image in The Romance of Three Kingdoms has made great influence in the folk culture. Thirdly, such image has shown the profound humanistic connotation in the traditional culture. It is believed that without the ZHOU Yu's image in The Romance of Three Kingdoms, the historical figure ZHOU Yu would not have exerted such extensively profound influence.

       

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